Reviewer rating:


Rating: 3 out of 5 stars


Hamer Hall

September 27 and 30


Continuing his penchant for single composer concerts, conductor Bernard Labadie returned to direct the MSO in an all-Beethoven program. With precisely placed outbursts Beethoven's Coriolan Overture Op. 62 got off to a dramatic start. The lowered acoustic ceiling of Hamer Hall and Labadie's approach to period string technique yielded a marvellously crisp, dry sound from the orchestra led by guest concertmaster Madeleine Easton.


Beethoven's Symphony No. 1 in C major, Op. 21 is often unjustly measured against his later triumphant efforts, but this polished reading by disciplined strings and perfectly tuned woodwinds and horns reasserted its worth. Attention to dynamic contrasts and carefully considered articulation were evident throughout its four movements.


It has been a big week in Melbourne for Canadian pianists with Marc-Andre Hamelin following fast on the heels of compatriot Angela Hewitt. From the opening keyboard arpeggios of Beethoven's Piano Concerto No. 5 in E flat, Op. 73 Hamelin asserted hefty authority while always remaining true to the score. Throughout its alternating moods the interplay between orchestra and Hamelin's nuanced fleet passagework produced much more than a demonstration of technique. Supported by beautifully pure accompaniment from the woodwinds and strings, Hamelin's lyrical measured approach to the Adagio was serene and controlled. With a seamless transition into the heroic final Rondo Hamelin led the orchestra in a bounding rhythmic race to the finish.